YANGHEE CHANG
While exploring the colours and
forms of nature, I began using travel photographs as references.
My first flower painting — inspired
by the quiet harmony of purple and green — led me toward denser, more intricate
compositions.
The delicate engraved figures often
blur into the surrounding leaves, softening the boundary between human and
nature. Through this merging, I seek a natural balance where form and feeling
co-exist. The dialogue between a figure’s silhouette and the rhythm of the
landscape now guides my entire process.
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